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After Cnossos: Where Did the Ancient Cretans Go? |
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Once Cnossos was gone, the Achaians used or built other towns for the colonial export of Cretan wealth. No few Cretans bided their time, or watched from mountain refuges such as Karphi, and then struck out like the Ancestors for new places full of kinsmen across the seas. Their children's journeys, achievements and influences constitute the invaluable buried treasure beneath Western history. These should lead us to dig in The Earth even more, and to process what we find for public-educational consumption. The inevitable slants in how we show things matter less than getting on with the show of all sides in the evidence. Confined as we are by language, we can hardly know ourselves except by comparison. This is what teaches people to think and talk with each other. |
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Does this Mycenean shard show "Minoans" defending Crete? |
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Where else did the ancient Cretans go? Their adventures opened whole new phases of The West... |
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One sure destination was Egypt. Cretans had long maintained a trade-station far up The Nile at Abydos, Artifacts from mainland Achaian sites show us Cretan artisans taken there to work for new masters. Many escaped in the other direction and found new livings in Egypt. You see one small example above in the painting of a "cow among papyrus-rushes," back at the head of this website: it's set into the lower-left of the portrait of Cretan men bearing gifts and trade to Egypt. |
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This Minoan" immigrant population may have had a part in the acclaimed "religious revolution" attempted by Pharaoh Akhenaten, about 100 years after the Cretan conquest. Where, after all, did he gain the penetrating awareness that divinities are changeable human inventions? Scholars dazzled by his "break with established tradition" toward male-monotheism seem curiously unimpressed with the import of changing a Goddess to---anything else. What sparked the artistic revolution of Akhenaten's day, a rare Egyptian turn toward perspective, toward supple naturalism and gay everyday subjects including potbellied portraits of Pharaoh himself, and even more rare, images of him and Nefertiti at tender play with their children? |
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Other bands---groups of "Minoan" families---fled to the islands you read about above; and many to Cyprus. Cretan artistic mastery was missing because the masters were slaves elsewhere. But the people carried on and kept trying. The farther they sailed the more eclectic they became, the Cyprus digs full of Cretan wares as well as Egyptian scarabs (sacred to Osiris because they "survive the flood"), Trojan ceramics, local folk art and countless things of the Middle East. In Cyprus too the Cretan and local names of goddesses blur (like the blood-lines of families long in contact) with those of wider waters: Aphrodite, Anath, Astarte, Amari/Ay-Mari "the fruitful mother" and more. Under their auspices (because of actual families cooperating within shared traditions), we find historical and high-cultural achievements born of vibrant international exchange. |
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Cretans were said to know "all the depths of the sea" and it took them in all directions. As they spread through Cyprus the Cretans made contact with even more of their kinfolk---"Minoan" and some mixed Mycenean elements making significant way at Ugarit, White Harbor, the great trading port of northern Syria until about 1200 BCE. (See Cyrus Gordon's and A. R. Burn's works unfolding these rich dynamics and traditions, many borrowed by early Hebrews to produce much of The Bible.) |
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All around them the Cretan Aegean was descending into lawless chaos born of their displacement. By 1200, the "great" Achaian centers including Mycenae and Pylos were themselves sacked after an age of predatory raids on the islands and coasts of Asia Minor (stealing horses and booty and, most of all, women and children to be worked until death beating flax, as The Iliad relates). We can little doubt that some Cretan elements made alliances with freebooting "aristocrats turned corsairs"; and thus we find "post-Minoans" on all sides of these historical encounters with the infamous "Sea Peoples," who wandered for generations "fighting to fill their bellies day by day." Whoever they were, whatever their motives, the Sea Peoples were the most terrifying force of their time. "My father, behold," warns a voice from Ugarit to Cyprus: |
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...enemy ships are coming and they set my ships ablaze, and they have done unseemly things to the country. My father seems not to know that all troops of my father's overlord [likely the Hittite king then] are stationed in Khatti [their own land] and that all my ships are in Lycia. They have not yet arrived and the country lies undefended. May my father be aware of this! Now seven ships have landed and they have done disgraceful things to us. If there are any other enemy ships, send me word. I want to be kept informed! |
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Obviously, from many kinds of evidence, the community included more than one religion. Gideon knew most people would be outraged. In this case a minority of one permitted his "inner voice" to violate established norms. His violent challenge that a wooden idol "defend itself" seemed to take the wind out of people. What they all seem to discover is that indeed deities are man-made. There are no gods to stop or punish, only people. The difference is that Gideon's response is a more self-centered, violent literalism about his own beliefs. He wanted them so badly to be "true" that he risked death to make the world resemble them; and the people did not kill Gideon. What saved him is not spoken: his powers of war that seem to keep the group safe from raiding enemies. We must not miss the point. Violence has changed the local culture, and seems to work "better" than respect. One side grows more "dis-spirited," and one more "fundamentalist." The Old Testament is full of ethnological and other value. But the two pillars framing it are "insufferable oppression" and irrepressible rage. Old Testament episodes, language and rhetoric build precisely against the Israelites' taking part in the cultures around them. "Separation" or at least in-group belief in it is identity. These are not the voices of Israelite "common people" but condemnations of them by their elite: |
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A late Cretan story about the once-majestic Goddess Dictynna (whom the Philistines called Derceto) tells us something. Derceto in her old ways (a.k.a. Britomartis) had been used to chasing her lover through the summer Dog-days, and their meeting was play that made the world. Now, she was chased by him without consent. Refusing to surrender, Derceto leaped to what she thought was death in the sea. But some passing "fishermen" caught her up. Next they knew, she was their Goddess in Canaan. The sea called the wearying Philistines toward the setting sun. With their "lack of nationalistic spirit" and "lack of literature" intact, they cared little for what paper said about them. They "disappeared from history," took ship and went on living. In places we may yet find, they mixed themselves anew with other peoples, keeping the best of themselves. |
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Enter the next "history mystery people," the Etruscans: sophisticated, seagoing, high-tech traders who suddenly appear in Italy around 900 BCE, and mix their bloods with the Stone Age inhabitants of Little Cattle Land. What a mystery: in almost every way from gender-equality to engineering, high spirits and erotically-infused spirituality, the Etruscans build The West 500 years of new life, as fresh as the first ones. Their first treaties with neighboring cousin Carthage, written in bilingual gold and made sacred "in the place of the statue...dedicated to Uni-Astarte," agree that they are equal partners on The Earth. |
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